Every battle gives you a rating out of five based on speed and efficiency, so there’s a sense of racing against yourself to throw the right tactics together. The eventual goal is to stagger the enemy by mixing up attacks until the bar on the right hand corner of the HUD reaches full-after which, you get a brief window to perform more damage. Setting up pre-loaded sets of strategies and using them to control the flow of battles is a brilliant bit of in-depth and systems-driven design ingenuity, the sort of idea Final Fantasy has always been very good at. One of the better parts of this is being able to create new paradigms in the menu outside of battle, to mix and match classes to my preference-so if I want three characters to focus on ravager abilities, I can set that up and load it next time I’m in a fight. If I’m damaged by my enemy and need to redo my strategy mid-battle, I can instantly use the Paradigm Shift system to load a different set of preset classes for my characters. My party will attack based on each class’s set of moves. Let’s say my default party contains two ravagers (mages) and a commando (warrior). In-battle, only one character can be controlled at a time-the others in my party will fight automatically based on the roles I assign them. If I sneak up on an enemy, my character gets first strike at the start of the encounter. Enemies wander around in the field, and if they detect your character, they charge and the screen cuts away to a battle. Taking place in a mostly linear world that straddles both sci-fi and fantasy, FFXIII is primarily about turn-based, real-time battles and delivering a giant, baffling narrative. FFXIII has serious merit in its inventive combat system, but it’s an absolute slog to find that potential-this belated port is so shoddy, too, that it’s tough to recommend picking it up on PC if you haven’t played it elsewhere already.
Upon its original release on PS3, the reaction to this direction was so extreme that Square Enix attempted to repair the damage with two wildly different, open-ended sequels.
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